THE ARTISTIC CRYPTOGRAPHY AS THE SET OF SIGNALSOF AESTHETIC INFORMATION IN PROSE OF 1920—1930S

Authors

  • A. I. Belaya Baranavichy State University, 21 Voikаva Str., 225404 Baranаvichy, the Republic of Belarus Author

Keywords:

meaning implication; literary techniques of the artistic cryptography; intuition; association; “privileged” fragments; “evidence-based” method

Abstract

The article examines the poetics of cryptography (or micropoetics) which was in demand during the period
when there was an increasing gap between the reality and official bureaucratic rhetoric (or the vulgarization of reality),
the intensification of censorship. The most effective and complicated techniques of meaning implication in prose of
the transitional epoch are analyzed on the basis of Z. Bedulya’s, M. Zaretsky’s, P. Golovach’s, S. Baranavyh’s,
M. Gorki’s works. The study shows that the most widely used literary devices are letter enciphering of ideas and the
technique of “disguise”. As well the influence of the Old and New Testament, reference to historical precedents on
writers’ ideas are described. The use of “evidence-based” method proves that the seemingly peripheral, secondary,
unessential images and characters turn out to be conceptually meaningful.

Ref.: 23 titles.

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Published

2017-03-01

Issue

Выпуск 5. Март 2017 года

Section

ФИЛОЛОГИЧЕСКИЕ НАУКИ. Литературоведение

License

Copyright (c) 2023 Вестник БарГУ Серия "Педагогические науки. Психологические науки. Филологические науки"

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